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Kateryna's avatar

Thank you for such a beautiful piece. Indeed, writing even a quite simple email without then polishing it with some AI tool feels as if you expose yourself too much. Yet, I do miss reading English-language texts by people from very different language cultures, where you can sense how English grammar and vocabulary are influenced by one's different language logic, personal experiences, or cultural references. Indeed, AI-edited text is much more refined and balanced, but as you pointed out, it's also much more average, sometimes to the extent of being blunt.

Perhaps, apart from the writing process shifting from "dialogue with yourself" to "dialogue with a chat", our writing also changes as we don't actually write but mostly type these days. What do you think about this?

Giacomo Francesco Lucifero's avatar

What an interesting piece! Many important and urgent issues are brought together and addressed with an original and engaging perspective.

The flattening of the creative writing process into a bilateral dynamic of back-and-forth interaction with a model is a very real and concrete risk, which may be rooted in a fear or reluctance to accept the effort and complexity of the process of self-discovery.

Language is the stormy fluid in which identity, difference, development, and care interact in dynamic and unstable ways. The complexity of language, like that of reality, is profoundly irreducible and restless, and this certainly does not constitute a driving force on the path to efficiency. But in reality, it informs a vitality and a sense of care that does not consist in preserving the integrity of thoughts or positions, but in responding to its visceral and uncertain dynamics.

From this perspective, delegating is giving up, synthesizing is reducing, expanding is reiterating, if the catalyst of the relationship between human writers and generative artificial intelligence is the efficiency and simplification of complex processes and dynamics.

However, an approach that is aware of the profoundly problematic nature of the relationship between idea and form, between content history and message, can reveal numerous alternative and intriguing paths.

If we can understand writing as an unstable process, and language as the energy and the ground of this process (among others), which leads us through the history of our ideas and encounters (intellectual and otherwise), the availability of an LLM as an actor in this process can become an inexhaustible source of dynamism, complexity, and creativity. This relationship can bring into play the sense of care that informs expression and communication in a new, perhaps even broader field, where the relationship is not the center of gravity but the energetic core, where content is the place of engagement and dialogue, not the end of the process.

Thank you for this precious opportunity for discussion and reflection, and congratulations on this work, which is part of the exploration of a complexity that marks and permeates the entire experience.

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